"I asked for you," he said when she stood there, "because I heard from the flyman who drove me from the station to the inn that he had brought you here yesterday. We had some talk, and he mentioned it." "I haven't the least idea," Fleda repeated.!

At the end of it, one day, the London paper had another piece of news: "Mr. and Mrs. Owen Gereth, who arrived in town last week, proceed this morning to Paris." They exchanged no word about it till the evening, and none indeed would then have been uttered had not Mrs. Gereth irrelevantly broken out: "I dare say you wonder why I declared the other day with such assurance that he wouldn't live with her. He apparently is living with her." She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression.

"By letting yourself go." Mrs. Gereth, a month after she had received her great shock, did something abrupt and extraordinary: she caught up her companion and went to have a look at Ricks. They had come to London first and taken a train from Liverpool Street, and the least of the sufferings they were armed against was that of passing the night. Fleda's admirable dressing-bag had been given her by her friend. "Why, it's charming!" she exclaimed a few hours later, turning back again into the small prim parlor from a friendly advance to the single plate of the window. Mrs. Gereth hated such windows, the one flat glass, sliding up and down, especially when they enjoyed a view of four iron pots on pedestals, painted white and containing ugly geraniums, ranged on the edge of a gravel-path and doing their best to give it the air of a terrace. Fleda had instantly averted her eyes from these ornaments, but Mrs. Gereth grimly gazed, wondering of course how a place in the deepest depths of Essex and three miles from a small station could contrive to look so suburban. The room was practically a shallow box, with the junction of the walls and ceiling guiltless of curve or cornice and marked merely by the little band of crimson paper glued round the top of the other paper, a turbid gray sprigged with silver flowers. This decoration was rather new and quite fresh; and there was in the centre of the ceiling a big square beam papered over in white, as to which Fleda hesitated about venturing to remark that it was rather picturesque. She recognized in time that this remark would be weak and that, throughout, she should be able to say nothing either for the mantelpieces or for the doors, of which she saw her companion become sensible with a soundless moan. On the subject of doors especially Mrs. Gereth had the finest views: the thing in the world she most despised was the meanness of the single flap. From end to end, at Poynton, there were high double leaves. At Ricks the entrances to the rooms were like the holes of rabbit-hutches. "I'll give up the house if they'll let me take what I require!" That, on the morrow, was what Mrs. Gereth's stifled night had qualified her to say, with a tragic face, at breakfast. Fleda reflected that what she "required" was simply every object that surrounded them. The poor woman would have admitted this truth and accepted the conclusion to be drawn from it, the reduction to the absurd of her attitude, the exaltation of her revolt. The girl's dread of a scandal, of spectators and critics, diminished the more she saw how little vulgar avidity had to do with this rigor. It was not the crude love of possession; it was the need to be faithful to a trust and loyal to an idea. The idea was surely noble: it was that of the beauty Mrs. Gereth had so patiently and consummately wrought. Pale but radiant, with her back to the wall, she rose there like a heroine guarding a treasure. To give up the ship was to flinch from her duty; there was something in her eyes that declared she would die at her post. If their difference should become public the shame would be all for the others. If Waterbath thought it could afford to expose itself, then Waterbath was welcome to the folly. Her fanaticism gave her a new distinction, and Fleda perceived almost with awe that she had never carried herself so well. She trod the place like a reigning queen or a proud usurper; full as it was of splendid pieces, it could show in these days no ornament so effective as its menaced mistress.